Showing posts with label feathers. Show all posts
Showing posts with label feathers. Show all posts

Thursday, August 2, 2012

Fascinator Millinery Class; Alexandria, Virginia/Washington, DC


In late June, I taught a class at The Art League School in Alexandria, Virginia, a suburb of Washington, DC.  This was a very full class entitled Fashioning Fascinators.  We used quite a few millinery mediums to make the base of the fascinators.  See the following pictures for working photos and finished product.

  
 For some reason sewn braid was the base medium of choice.  Students had a choice of sewn braid or fabric covered buckram.  The 'fascinator' pieces could then be secured to headbands, elastics or used on a sinamay base.

Black triple starbright sewn braid was a favorite.  Note that the braid is being sewn on utility blocks to hold the shape.


This was a huge class of 13!  All with their own ideas of what a fascinator is.  And, by-the-way...fascinator can mean many different things to milliners and hat-wearers.  A group of  talented ladies with fascinators on their minds.

Melissa having fun!  


Sewn braid, veiling, and a peacock feather piece.

Here's a demo I did on feathers for the class.  Click here to see.  About a 4 minute demo you might find interesting.




This sweet young lady came with her grandmother to make hats!  Love it!  Isn't she sweet?  Great hat for a budding milliner.

Ranunculus flowers and hot pink sewn braid.


Melissa creates a butterfly 'bowl' with a sweep of feather spines.

Gloria's pleated ribbon trim over buckram.  Hydrangea flowers and some sweeping feathers.  Nice.


Jewels!!


Love the veil swath.

 Stylin' ladies!

Monique's gorgeous red sewn braid base with a smashing silk flowers.


Fabric covered buckram.  Beautiful batik fabric and a handmade flower.


A fascinator of two colors of triple starbright braid, sewn into circles then sewn together for a headband effect.  A twig of crin starts the embellishment process.

Here's another demo I did on using Crin (horsehair) and Sinamay as embellishment.  So many other things you can do with these materials, but hope you'll click over here to see about a 7 minute demo.

Beautiful silk flower on black triple starbright braid.  Lovely!

Next post will be of the classes in the San Francisco Bay Area--French Flowermaking, Sinamay Fascinators, and Abstract Shaping.  Soooo much to report!

Saturday, September 3, 2011

Straw Hats Class at John C. Campbell Folk School



I just spent an incredible 8 days of teaching at John C. Campbell Folk School in the mountains of North Carolina. I live at the beach in North Carolina, so this place is about as far away from me as you can get and still be in the same state. I love the beach...but I also love the mountains.

This was my second time to teach at the Folk School. I cannot say enough good things about it: the remoteness, the mountains, the staff, the FOOD, the activities, and some very enthusiastic students.

This post is strictly about the weeklong class. Next post will be about the weekend class.

There were other classes going on at the Folk School as well, maybe 6 or 8 others. Anything from making chocolate truffles (we all wanted to be their friends), to paper arts, to blacksmithing, to dulcimer building, and more.

Bear with me as I try to give you a taste of what it is like to be in this magical place.

Coming out of the dining hall one evening I walked past this beautifully lit bunch of flowers. I don't know what they are called but I've seen them all my life. Folklore is that once these flowers show up the first frost of the year is 6 weeks away. Loved the natural spotlight! See the mushrooms? They are carved, probably from some long ago woodcarving class, and randomly placed around the flower beds.

This is Jan Davidson, Director of the Folk School. Each morning the day starts with MorningSong. Jan told us the history of the School and how it came to be in Brasstown, NC. I wish I had the space here to tell you the whole amazing story, but if you are interested, I'd suggest going to their webpage. Interesting little note: before I was Jan Wutkowski, I was Jan Davidson. Last year when I taught at the School I didn't get to meet him, but this year I did! Turns out we had 'googled' each other for years! He's a great, gregarious guy; totally dedicated to the School, and a talented musician as well.



One of the locals at MorningSong. What's the BFD? Brasstown Fire Department!!

Reed, one of the staff the School, plays Dobro, or resonator guitar, for MorningSong...one he build in a class at JCCFS! He did one of my favorite songs, 'Dear Abby' by John Prine!




One night a week the School has a Contra, Square, Folk Dance for students and locals. A traditional band of fiddle, autoharp, and guitar played for this dance. I had done a little square dancing in college but never some of the other traditional dances, many which come from England, Scotland, Ireland. These were the people who immigrated and settled this region of America and that is where the songs, dances, instruments originated. That's Victoria, one of my students whirling on the dance floor.

I went to the dance to observe. But the locals don't allow that! They want everyone dancing!! So I did...and I do-see-doed a hole in the bottom of my foot! But what fun!! I'd do it again in a second!




'Deuce' showed up early one morning and walked me to breakfast. We were walking through the woods on the way to the dining hall and he was bouncing and running through the woods chasing squirrels, then coming right back to my side. I said, "Turn around and let me take your picture." He DID! And I got this shot of him. He had the most amazing crystal blue eyes. What a cool dog. I've have taken him home in a minute but his owner came and got him after he stayed all day...looking for a class to take I guess.

A few more shots (thanks for indulging me) and then on to the hats.




Every morning I got up and took a picture out my second story window of Farm House. Some days you couldn't see the mountains in the distance for the fog. Beautiful and eerie.




Other days the sun came up bright and shining!






I love this place! Can you tell yet?




OK, so now on to the class itself. There were 9 students in the class, and the vast majority had never made any kind of hat before. A couple had made some things and were self-taught. We were basically starting from A and trying to get to Z.

We worked a parisisal capeline (blocking, cutting, wiring, petersham), worked with sewn braid, and blocked sinamay on crown and brim blocks (and all the skills that go into putting those together), plus some featherwork.



Carol Ann with her sinamay crown and brim, putting in the petersham.



Jeanne (all the way from Oregon) finishing up her incredible two-toned sewn braid crown. Brim you'll see later.


Suzanne starting to work on her blocked brim. Lots of work goes into the processes for each kind of straw.


Leonard (all the way from California) starts the 'button' in the tip of his sewn braid Fedora. Sometimes when I teach sewn braid I hear that it is too repetitious. However, this class LOVED sewn braid. And they created some fabulous hats from it.


Susan's cloche braid hat with sequined applique. She chose not to make a brim for this hat. Love it, Susan!


Jeanne's parisisal capeline with a free-formed brim after wiring. See the leaf? That was made during the week by one of the blacksmithing students she became friends with during the class. Much prettier than this picture shows. These are the kind of friendships that develop over the week--sharing, telling stories, laughing, dancing, eating. That's JCCFS!


Cory, one of the Hosts for the School, finishing up her sinamay hat. Pretty in Black!


Couple of shots of Jeanne's sewn braid hat after it was finished. Front view.


Back view. Love the two-toned look. Putting feather pieces together was another of the skills they learned during the week. Here you see bleached peacock, biot, pheasant, and coq.




Victoria (you saw her dancing in the red skirt earlier in the post) is a Work Study student at the School. Great eye for detailed work. She was our speedy sewer!




And her finished hat! Love the aqua braid and that she chose the Fedora style. Very nice!





Two shots of Carol Ann's sewn braid hat. She used the tip of the Fedora block but stopped there to make it a fascinator. Simple and elegant. Great lines of the hat too.



OK, Suzanne! She sewed a fascinator base out of sewn braid but couldn't decide how to finish it. She tried numerous ideas. Here she decides it should just be a pirate's eye patch!!


I left Suzanne and several others in the studio the last night of class at around 9pm. They can stay as long as they like in the studio's at night--not sure how late they stayed that night! The next morning I came in to find what Suzanne decided to do with her fascinator base...she calls it 'The Night Aliens Invaded the Millinery Shop.' What a hoot! You can't tell, but there are tiny 'aliens' perched in the feathers. Suzanne had a great sense of humor and it carried through to her hats. You go, Suzanne!




Couple of other sinamay hats on display; one is Leonard's (top) and the other is Cory's. Great job!





Cory's sewn braid hat in navy straw. I love this straw and used it myself for the instructor piece all teachers are required to submit for the week.




Cory's finished product after adding some swooping pheasant feathers and a bit of peacock.









The class, with me on the left, minus two who couldn't make it to the final 'Show and Tell' all classes present the last day of the week. While we displayed our hats on a table for everyone to see, when the final moment came we donned our hats and did an impromptu fashion show to the front of the exhibit hall. People loved it! We got sooo much buzz from the other students throughout the week. I even had several tell me they'll be taking millinery classes next year!

Thanks, John C. Campbell Folk School! Can't wait to get back next year!!!

Monday, May 9, 2011

Fascinators, Kentucky Derby, Hat Wearing Events for Spring

Hello, everyone! It has been an incredibly busy Spring. I've been making hats non-stop since January. First for the hat show (several posts back), then our city's largest hat-wearing event in early April--Azalea Garden Party, then Easter, then the Royal Wedding, then Kentucky Derby.

I'm posting quite a few of the hats and fascinators I made for these events. Most were made to coordinate for specific dresses, but some of these were made for a trunk show before our local Royal Wedding event where, I'm happy to say, almost everyone there wore a fascinator! Thanks, Kate Middleton!

Sinamay base with 12" diameter silk flower, vintage green veiling, stripped coqs, curled biots, and a swirl of vintage rooster feathers.





Close-up of the fabulous vintage veiling--delicate and stylish.



Made for a client who had not been, up until this one, a hat-wearer. In fact, she specifically didn't want a hat that would draw attention to herself. However, after she wore this hat, gained some 'hat confidence' she came back and had me add more feathers and some hot pink veiling for another event. I love that kind of story! Now she is a dedicated hat-wearer!!





Close-up of the dyed peacock feathers, coarse petaled flower and a bit of the sinamay.





This hat was made for one of my models from the Spring in Paris show in March. She wanted a show stopper and this what she got. I love the way this hat turned out.





Made for the official photographer for the Azalea Garden Tour. She needed a hat that didn't have a brim, so that it wouldn't interfere with the camera, and one that was NOT traditional. Hence, the free-form, tri-colored sinamay fascinator. I actually added a vintage button to this after the picture was made, but was too busy to make another picture. Yikes!





Another custom-made hat to match a dress. Love this big lily.





Close-up of the lily and the peacock eyes. Guess you have noted that I love the green peacock feathers since they were in another hat further up this post.






Grape parisisal bowl base, 12" magenta flower, and ripped horsehair. This was made for the trunk show and was sold to a very happy customer for Kentucky Derby.






Vintage ribbon, fuzzy pussy willows, yellow rose, and forget-me-nots, all from my collection of vintage embellishments. This was one of my favorite traditional styled hats I made this season.





Black calla lilies, beauty-marked veiling and some rhinestones on the stamens. I added some aqua stripped coqs and this little darling went to the Kentucky Derby!


Vintage blocking net (lacy) form with multi-colored posies, some soft veiling, and a tuft of ostrich feathers.


Close-up of little yellow fascinator.


Simple and sophisticated. I made this as a give-away for a lucky attendee to the Royal Wedding event we had at the beautiful mansion next door to the shop. Confetti feathers!


Custom-made for a grandmother for her newborn grandson's christening! And she has the personality to pull it off.


Store stock...now sold. Made for the trunk show. Horsehair, guinnea feathers, and netted 'jewels' on a hairband.


Hope you enjoyed these. My next post will be about a custom made hat you are going to LOVE. I'll be showing each step of the process. So stay tuned! Thanks for reading and happy hatmaking!